Saturday, July 18, 2026·

Vol. I · No. 24 · The Weekly Issue · From Key West to the Panhandle

The Floridian

Reporting, fiction, criticism, poetry, and cartoons — from the peninsula

The Critics · At the Theatre

The Bleaching of Fort Myers

A minimalist new drama in Fort Myers explores the quiet, generational friction between the retirees who bought the dream and the locals who survive it.

Playwright Sarah Vance’s quiet, devastating new play, *The Gulf Coast Sonata*, now running at the Florida Repertory Theatre in Fort Myers, takes place entirely on the screen porch of a deteriorating canal home. The house belongs to Arthur, a retired insurance adjuster from Ohio whose health is failing, played with an irritable, fragile dignity by John Lithgow. His daughter, Clara, has returned from Tallahassee to help pack up his belongings, but the real dramatic engine of the play is Arthur’s relationship with Eddie, a local marine mechanic who has come to repair Arthur's ancient, non-functional pontoon boat. What emerges over ninety minutes is a sharp, beautifully written confrontation between the temporary dwellers of the coast and those who cannot afford to leave.

Vance’s dialogue is remarkably spare, capturing the slow cadence of conversations conducted in ninety-degree heat. The sound design by Marcus Ward is equally crucial, featuring the constant, metallic hum of a malfunctioning air-conditioner unit and the distant screeches of gulls over the canal. As Clara and Eddie sort through Arthur’s waterlogged boxes of tax records and fishing tackle, they uncover a history of mutual resentment and economic displacement. The play avoids grand theatrical outbursts; instead, the tension builds through small, physical gestures—Eddie’s methodical cleaning of a spark plug, Clara’s tight, protective folding of her father’s linen shirts—that carry the weight of a changing town.

The production's strength lies in its refusal to paint anyone as a villain. Lithgow’s Arthur is not an unfeeling developer but a man who worked forty years for a small slice of paradise that is now being claimed by rising insurance premiums and blue-green algae. When he looks out over the stagnant canal during the play’s quiet finale, his face is a map of profound, late-life regret. *The Gulf Coast Sonata* doesn’t offer the easy neatness of many contemporary dramas, opting instead to leave its characters stranded in the humid twilight of a world that is slipping away from beneath their feet.


Also in the critics

At the Theatre

The Walls of Coquina

In St. Augustine, a challenging and brilliant new experimental play uses the history of Florida's oldest city to explore the modern anxieties of survival.

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